Is, then, this all? Should the film just be flatly rejected by those who are engaged in radical emancipatory struggles? Things are more ambiguous, and one has to read the film in the way one has to interpret a Chinese political poem: absences and surprising presences count. Recall the old French story about a wife who complains that her husband’s best friend is making illicit sexual advances towards her: it takes some time till the surprised friend gets the point – in this twisted way, she is inviting him to seduce her… It is like the Freudian unconscious which knows no negation: what matters is not a negative judgment on something, but the mere fact that this something is mentioned – in The Dark Knight Rises, people’s power IS HERE, staged as an Event, in a key step forward from the usual Batman opponents (criminal mega-capitalists, gangsters and terrorists).
Zizek has written one of the better think pieces on The Dark Knight Rises.
- expirednovelty reblogged this from towerofsleep
- katerpotater reblogged this from towerofsleep
- whenyrlivinginafascistdream likes this
- expirednovelty likes this
- getradified likes this
- towerofsleep reblogged this from dropouthangoutspaceout
- samrick likes this
- towerofsleep likes this
- sterwood likes this
- andrewfm said: Still makes the mistake of assuming the film deals directly with Occupy Wall Street, even though the script was written before Occupy began.
- m-x likes this
- dropouthangoutspaceout posted this